With three children, we've recorded hours and hours of video over the last 18 years. We only viewed it in bits until Andrea came up with a great idea.
When each of the kids turned 13, she painstakingly edited the best clips from from the many hours compiled. She then took those clips to the daughter of a friend who had editing experience (her dad's a director so she grew up with cameras, sound and editing tools around her).
With the addition of music (one of Andrea's many passions), well-edited sequencing and pacing, the resulting 20 minute DVDs are prized parts of the family history which we now view regularly and the kids continue to be proud of. While it did take a lot of time and commitment to cull the clips, the hours of laughing and tears that came from Andrea as she poured through the tapes was a bonus.
I recently got Apple's I-movie and started shooting video clips with my Leica D-Lux 4. This compact camera fits into my pocket and has allowed me to not only take stills but to record reasonably good quality video. Granted, I'd not use the Leica on a commercial shoot but having this small camera with me allows me to make images I'd otherwise not have gotten.
Last week, on a warm spring evening, Simon and I made a short video out on our lawn. We developed a story extemporaneously and shot ten minutes of video that was edited in a few hours over a weekend on I-movie. You can watch the video called Boy and Bird, here.
I'm shooting video for various reasons--to keep documenting my family and for professional purposes. The successful introduction this week of the I-pad and Conde Nast's committment to producing online editions of several of its titles is proof of a publishing revolution in progress. Wired Magazine and Adobe recently produced a short film about the changing landscape of publishing. It's exciting, eye-opening, and impetus to keep me working with video.
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